Following the critical acclaim of Past Lives, writer-director Celine Song shifts her focus to modern romantic dynamics in Materialists, a drama set in New York City where relationships are influenced by economic status and perceived social value.
The film centers on Lucy (played by Dakota Johnson), a high-end matchmaker whose clients are wealthy individuals searching for ideal partners. A pivotal moment occurs when one of her clients, Charlotte, has doubts moments before her wedding. In a candid conversation, Charlotte admits that her decision to marry was driven not by love, but by a desire to feel validated in a competitive social environment. This scene sets the tone for the film’s core inquiry: is romantic love often shaped by materialistic motivations?
Lucy herself is caught between two men: Harry (Pedro Pascal), a wealthy investor who offers financial security, and John (Chris Evans), her ex-boyfriend and struggling actor. This classic romantic dilemma highlights the character’s internal conflict between emotional fulfillment and material comfort. However, the film struggles to portray convincing chemistry between the leads, making Lucy’s emotional journey less impactful.
The screenplay effectively surfaces themes related to modern dating, including the commodification of relationships and the societal pressure placed on women to balance independence with traditional milestones. Despite its intent to critique these structures, the film’s resolution feels predictable and reinforces some of the same norms it appears to question.
Materialists has the potential to become a cultural artifact, capturing the experiences of a generation navigating love in a material world. Yet as a romantic narrative, it falls short of delivering a compelling or emotionally resonant experience.
