The first Black female principal dancer of the company concludes 25 years of achievements
Misty Copeland took her final bow with the American Ballet Theatre (ABT), ending a career that redefined representation and excellence in classical ballet. The farewell gala, held at Lincoln Center in New York City, celebrated both Copeland’s legacy and the 85th anniversary of the company.
At 43, Copeland leaves an indelible mark on the art form. In 2015, she became the first Black woman promoted to principal dancer in ABT’s history. During her final performance, she portrayed Juliet, one of her signature roles, alongside Calvin Royal III, another leading figure at the company. The event featured tributes, archival videos, and performances honoring her influence in the dance world.
Continuing a mission beyond the stage
In recent years, Copeland has balanced motherhood, authorship, and philanthropic initiatives through the Misty Copeland Foundation, which supports programs promoting inclusion in the performing arts. While announcing her retirement, she clarified that her departure from the ABT stage does not mean the end of her artistic journey, but rather the beginning of a new chapter.
Copeland expressed her intention to keep advancing diversity and access in ballet, noting the importance of sustained efforts in equity and representation. “It’s time for the next stage,” she said, expressing gratitude to the company that shaped her career.
Born in Kansas City, Missouri, and raised in California, Copeland began ballet at 13 and quickly excelled. Her rise from modest beginnings to international recognition made her a transformative figure in modern ballet, inspiring generations of dancers worldwide.
